It's been awhile since my last post, and I've had a lot of great stuff going on here in the Quad Cities area. I've taken some art classes, checked out some stuff at the Figge, had my first life drawing experience, and have been exposed to a lot of new inspirations. This all translates into some great new ideas. And those new ideas are being materialized into new designs. So far, the new challenges have been incredible, and the results have been fantastic. I just pulled some proofs last week, and they look pretty great. They still need a little fine-tuning, but I can't wait to share them with you!
In Con We TrustStill needs some work, but it's one of the pop-art inspired prints on which I'm currently working. |
But I promise, I didn't just start writing this post to promote us! I also wanted to briefly talk about my creative process a little bit, because a couple people have asked me, "what were you thinking when you made that?" Well, that's a little bit of a complicated question for me, because printmaking is a long process. I spend a lot of time brainstorming a design, making a lot of doodles and quick sketches before even really sitting down and trying to work on a serious design. The process of finalizing a design can take me up to eight hours. Then I transfer it to the block, and the carving takes at least a few hours as well. I usually have fifteen to twenty hours of work in a print before ink is even brought into the process! I'm sure a lot of printers work faster, but everyone's process is a bit different. Anyway, my point is that it's incredibly difficult for me to narrow down "what I was thinking" while making a print. My thoughts on a design evolve while I'm working on it and what it means by the time it becomes a finished print can be completely different than what I was thinking when I started! For those of you who know me, my brain can move a mile a minute, so I think about a lot of things while I'm working, or sometimes it helps me clear my head and I think about nothing. That's part of why I love printmaking.
My process isn't always a neat and clean one. Actually, it never is. |
What do you do that's creative, and what kind of process do you have? I'd love to hear about it, so please feel free to leave me a comment. If you like what you read, and you know anyone that you think would also enjoy it, I would appreciate it if you shared my blog with them. And don't forget to check me out on twitter @CaptGam.
Thanks for checking out my blog today everybody. I hope you enjoyed it, and I hope you're having a great week. See you next time!
Unless otherwise mentioned, all work by Wade Ellett is licensed under a Creative Commons Attribution- ShareAlike 3.0 Unported License.
These are great Wade! I'd love to see more about how you transfer your designs to and carve the block. Also, are you printing on any other types of material or just paper?
ReplyDeleteHey Heidi, thanks for the compliment. I've really fallen in love with the medium, and it's always nice to hear that cool people like what I'm producing. Currently, I'm only printing on paper. I've been looking at what some other printmakers make, and I've seen some printing on unfinished wood, but more than anything else (excluding paper) I've seen prints on fabric. I've considered doing this as well, but it will all depend on whether anyone is interested in using the fabric when I'm done. I don't sew, so I wouldn't have much use for it myself. As for how I transfer designs to and then carve the block, I'll work on a post that might shed a little light on those details. Thanks for the comment Heidi, I hope all is well for you!
Delete